Immersive Events · Redford, MI
Immersive Event Space
in Redford, Michigan
Start with the question everyone else avoids: how dark can the room go. Then rigging, power, surfaces, and build time — answered against your production rather than described in adjectives.
Send Your Spec
Plan an Immersive Production
Send your dates, what you are building, and what the room has to do. The events team will come back on blackout, rigging, power, and access against your requirements rather than in general terms.
Inquiry sent
The PREVA events team has your spec and will follow up with the production answers.
Why PREVA
The Room Has to Disappear First
Immersive work is different from every other booking here. A wedding wants the room to look like itself. An immersive piece needs it to stop looking like anything — and whether that is possible comes down to four physical facts, not a mood board.
How Dark It Goes
Windows, exit signage, and light spill from the bar decide whether projection or lighting-led work is possible. You get the real answer before you design around it.
What the Ceiling Will Hold
Height and rigging points set your throw distances and anything you intend to hang. Confirmed against your plan rather than after your fabricator has built it.
Where the Power Is
Total draw, and where it sits relative to the floor. Send the numbers and you will be told what the building supplies and whether you need a generator.
Whether Sound Stays Put
If your piece needs one thing heard here and something else a few metres away, that is the hardest thing to fix late. Raise it first and it gets planned in.
Production Formats
However the Piece Is Built
Terms depend on the dates, how many days you hold the space, the areas you use, power and production needs, and whether there is catering. Ask the events team for a proposal on your plan.
Single Night
One audience, build and strike around it
- Access from early for build and focus
- Blackout and rigging confirmed in advance
- The room cleared to your footprint
- A sensible way to test the space first
Build Day Plus Run
The set stays up across the dates
- The room the day before for build and focus
- Set left standing between sessions
- Several audiences through the same build
- Power, rigging, and blackout agreed once
- One events contact across every day
Immersive Dining
The piece and the meal together
- Preva Kitchen serving inside the production
- Courses timed to the run of show
- Service planned so it does not break the piece
- Dietary requirements built into the menu
The Space
What You Are Working With
An immersive booking needs an empty, controllable box more than it needs a finished room.
The Main Floor
The footprint for the build. Dimensions, surfaces, and what can be rigged above it are confirmed against your plan before you commit.
A Second Space
For holding an audience before entry, or for the part of the piece that happens after. Most immersive work needs somewhere people wait.
Both Together
Run as one journey, with people moved between spaces rather than parked in a single room for the whole piece.
Simple & Clear
How Booking Works
Send the Spec
Dates, attendance, what the room has to do, and how dark it needs to go.
Get Real Answers
Blackout, rigging, power, surfaces, and load-in checked against your requirements.
Schedule the Run
Build, focus, the sessions, and strike laid out across the dates, with vendor access.
Hold the Dates
Once the proposal and terms are approved, the whole block is yours.
Questions
Before You Book
Bring the Plan
See the Room With the Lights Down
Come and look at it empty, at the time of day your piece runs. Ten minutes on site answers what a week of emails will not.
